Finding the right channel strip for voice over involves balancing sound quality, ease of use, and flexibility. The dbx 286s stands out as the best overall choice for its versatile features and reliability. For those seeking warm, classic tones, the Universal Audio LA-610 Mk II offers exceptional tube warmth, while the SPL Track One MK3 delivers transparent, high-fidelity processing. Each option involves tradeoffs—whether it’s price, complexity, or tonal character. Keep reading to see how these picks compare and which one might fit your voice over setup best.
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Key Takeaways
- The best channel strips balance ease of use with professional-grade features suitable for voice over work.
- Tube-based units like the LA-610 Mk II provide warmth but typically come at a higher price point and require more maintenance.
- Digital and hybrid models offer more versatility and integration options, making them ideal for modern home studios.
- Price often correlates with complexity and build quality, but some mid-range options deliver surprisingly high performance.
- Choosing the right channel strip depends heavily on your specific voice, style, and recording environment.
| dbx 286s Channel Strip Processor / Mic Pre-Amp with Effects |  | Best Overall for Versatile Voice Over Processing | Type: Channel Strip Processor / Mic Pre-Amp | Effects: Compression, De-Esser, Enhancer, Expander/Gate | Inputs: XLR, 1/4″ TRS | VIEW ON AMAZON | See Our Full Breakdown |
| SPL Track One MK3 Mono Channel Strip |  | Best for Radio and Broadcast Professionals | Item Weight: 10.26 pounds | Product Dimensions: 21.5 x 14.95 x 5.3 inches | Material Type: Stainless Steel | VIEW ON AMAZON | See Our Full Breakdown |
| Universal Audio LA-610 Mk II Tube Channel Strip |  | Best for Vintage Tube Tone and Studio Purists | Number of Channels: 1 | Audio Input: XLR | Item Weight: 15.7 pounds | VIEW ON AMAZON | See Our Full Breakdown |
| PreSonus StudioChannel Vacuum-Tube Channel Strip |  | Best for Warmth and Versatility in Professional Studios | Type: Vacuum-tube channel strip | Preamp: High-voltage Class A 12AX7 | EQ: 3-band with variable Q | VIEW ON AMAZON | See Our Full Breakdown |
| Solid State Logic SiX Channel Strip 500 Series |  | Best for Compact, High-Quality Studio Chains | Number of Channels: 1 | Connectivity Technology: 500 Series, TRS Line Input | Power Source: Corded Electric | VIEW ON AMAZON | See Our Full Breakdown |
| ART VoiceChannel Tube Channel Strip with Digital Outs |  | Best Overall | Type: Tube Channel Strip | Preamp Type: Class-A tube preamp | Digital Outputs: ADAT, AES/EBU, S/PDIF, TOSLink, USB | VIEW ON AMAZON | See Our Full Breakdown |
| ART Pro Channel III Channel Strip |  | Best for Beginners | Item Weight: 10.61 pounds | Product Dimensions: 21.9 x 11.4 x 5.4 inches | VIEW ON AMAZON | See Our Full Breakdown | |
| ART Pro Channel II Microphone Preamp/Compressor/EQ |  | Best for Studio and Live Use | Connectivity Technology: XLR, 1/4 inch TRS, 1/4 inch TS | Connector Type: RCA | VIEW ON AMAZON | See Our Full Breakdown | |
| Solid State Logic Revival 4000 All-Analogue Mic Channel Strip |  | Best Premium Choice | Item Weight: 12.19 pounds | Product Dimensions: 9.1 x 9.1 x 9.1 inches | Material Type: Plastic | VIEW ON AMAZON | See Our Full Breakdown |
| Neve 1073SPX-D Channel Strip USB Audio Interface with ADAT |  | Best for High-Resolution Recording | Type: USB Audio Interface | Features: Preamp/EQ Channel Strip, Class A Circuitry, 24-bit/192kHz AD/DA, ADAT I/O, Headphone Amp | VIEW ON AMAZON | See Our Full Breakdown |
| channel strip for voice over | Item Weight |
|---|---|
| dbx 286s Channel Strip Process | — |
| SPL Track One MK3 Mono Channel | 10.26 pounds |
| Universal Audio LA-610 Mk II T | 15.7 pounds |
| PreSonus StudioChannel Vacuum- | — |
| Solid State Logic SiX Channel | 11.2 ounces |
| ART VoiceChannel Tube Channel | — |
| ART Pro Channel III Channel St | 10.61 pounds |
| ART Pro Channel II Microphone | — |
| Solid State Logic Revival 4000 | 12.19 pounds |
| Neve 1073SPX-D Channel Strip U | — |
More Details on Our Top Picks
dbx 286s Channel Strip Processor / Mic Pre-Amp with Effects
The dbx 286s stands out for combining a high-quality mic preamp with a suite of effects—compression, de-Esser, enhancer, and expander/gate—in a single compact unit. Its flexible input options and professional sound clarity make it a strong contender for both studio and live voice-over setups. Unlike the Universal Audio LA-610 Mk II, which offers a vintage tube tone, the dbx provides a more straightforward, effects-rich experience suitable for those who want simplicity without sacrificing quality. However, its rack-mount format and multiple effects can feel overwhelming for newcomers, and the controls may require a learning curve. This pick is ideal for voice-over artists seeking a versatile, all-in-one solution that balances functionality and ease of use, with the tradeoff being a slightly larger setup and some complexity in operation.
Pros:- Multiple effects integrated, reducing need for external processors
- High-quality microphone preamp for clear, professional audio
- Flexible input options for microphones and instruments
- Easy level monitoring with LEDs
Cons:- Rack-mount size may not suit all setups
- Requires external power and rack accessories
- Complex controls might challenge beginners
Best for: Professional voice-over artists who need a versatile, rack-mountable processor with integrated effects
Not ideal for: Beginners or home studio users with limited space or those preferring simple preamps without built-in effects
- Type:Channel Strip Processor / Mic Pre-Amp
- Effects:Compression, De-Esser, Enhancer, Expander/Gate
- Inputs:XLR, 1/4″ TRS
- Outputs:1/4″ TRS
- Power Supply:120VAC 60Hz / 100VAC 50/60Hz
- Dimensions:1.75″ x 5.75″ x 19″
- Rack Mountable:Yes
- Phantom Power:+48V
Our verdict“Best suited for experienced users who want an all-in-one voice-over channel processor with effects.”
SPL Track One MK3 Mono Channel Strip
The SPL Track One MK3 excels in delivering a highly controlled, mono voice channel perfect for radio, podcasting, and broadcast applications. Its high-gain mic preamp, combined with a compressor, limiter, and 3-band EQ, provides detailed tone shaping and dynamic control that surpasses basic single-preamp units like the PreSonus StudioChannel. While it is heavier and less portable, its robust build and professional features make it ideal for fixed studio setups. The mono design distinguishes it from multi-channel options like the Universal Audio LA-610 Mk II, which offers a vintage sound but less tailored for broadcast clarity. Its limited to mono sources, which might be restrictive for those needing stereo processing, but for single-mic voice-over work, the SPL offers precise control. This product is tailored for broadcasters and voice professionals needing dedicated mono control with comprehensive tone and dynamics shaping, at the expense of stereo versatility.
Pros:- High-quality mic preamp with ample gain
- Integrated compressor, limiter, and de-Esser for dynamic control
- 3-band EQ for detailed tone shaping
- Designed specifically for broadcast and voice-over clarity
Cons:- Heavy, less portable for mobile setups
- Limited to mono operation, not suitable for stereo sources
- No digital or multi-channel expansion options
Best for: Broadcast professionals and voice-over artists focused on mono, high-gain, controlled voice channels
Not ideal for: Musicians or producers needing stereo processing or multiple channels in one unit
- Item Weight:10.26 pounds
- Product Dimensions:21.5 x 14.95 x 5.3 inches
- Material Type:Stainless Steel
- Microphone Preamps Rank:#377
- Best Sellers Rank:#218,355 in Musical Instruments
Our verdict“Ideal for broadcasters and voice professionals seeking a dedicated, mono voice channel with comprehensive control.”
Universal Audio LA-610 Mk II Tube Channel Strip
The Universal Audio LA-610 Mk II offers a distinct vintage tube sound, combining a classic 610 preamp with EQ and a T4 opto compressor in a compact 2U chassis. Its true-bypass compressor and enhanced metering make it a favorite for those aiming for warm, harmonically rich voice-over recordings. Compared to the dbx 286s, which emphasizes effects and versatility, the LA-610 leans into sonic character, appealing to users who cherish the coloration of tube gear. Its heavier weight and higher price tag may deter hobbyists, but for professionals craving authentic vintage tones, this unit provides unmatched character. Its single-channel focus makes it less flexible for multi-mic setups but perfect for a dedicated voice-over chain. This pick suits users seeking vintage warmth and sonic richness over raw versatility, with the tradeoff being higher cost and lower channel count.
Pros:- Vintage all-tube sound with warm harmonic character
- True bypass on compressor maintains clean signal when needed
- Compact 2U design suitable for studio space constraints
- Enhanced metering and output signal in MkII version
Cons:- Relatively heavy at 15.7 pounds
- Premium price may be prohibitive for some users
- Only supports single-channel operation
Best for: Voice-over artists and studios seeking warm, vintage tube tones with a compact footprint
Not ideal for: Budget-conscious hobbyists or those wanting multiple channels in one device
- Number of Channels:1
- Audio Input:XLR
- Item Weight:15.7 pounds
Our verdict“Best for those prioritizing vintage tube coloration and sonic warmth in voice-over work.”
PreSonus StudioChannel Vacuum-Tube Channel Strip
The PreSonus StudioChannel combines a high-voltage Class A 12AX7 vacuum-tube preamp with a versatile 3-band EQ and a VCA compressor, making it a flexible choice for detailed voice-over processing. Its high-quality tube preamp adds warmth and depth that can elevate any vocal track, outperforming simpler preamps like those in the ART VoiceChannel. While its controls are precise, they may be somewhat complex for newcomers, requiring some experience to dial in the best sound. Its lack of digital connectivity limits integration with modern DAWs, but it excels as a dedicated hardware processor. This unit’s single-channel focus makes it less suitable for multi-mic setups but perfect for boutique-studio voice work. This device is ideal for users who want a warm, detailed sound with extensive tone-shaping options, accepting the need for some technical familiarity.
Pros:- High-voltage Class A 12AX7 vacuum-tube preamp for rich warmth
- Versatile 3-band EQ with variable Q for precise tone shaping
- Built-in VCA compressor with auto attack/release
- High-quality construction and rugged chassis
Cons:- Controls can be complex for beginners
- No digital connectivity options
- Limited to a single channel, requiring multiple units for larger setups
Best for: Professional voice-over engineers and studios seeking warm, detailed tone-shaping with a vacuum-tube front end
Not ideal for: Beginners or users needing multi-channel or digital connectivity features
- Type:Vacuum-tube channel strip
- Preamp:High-voltage Class A 12AX7
- EQ:3-band with variable Q
- Compressor:VCA with auto attack/release
- Inputs:Instrument, line, and mic
- Chassis:Steel, rack-mountable
Our verdict“Excellent for professionals seeking warm, detailed vocal tones with extensive control, provided they’re comfortable with the controls.”
Solid State Logic SiX Channel Strip 500 Series
The SSL SiX Channel Strip packs a professional-grade SuperAnalogue mic pre, versatile EQ, and a single-knob compressor into a 500 Series module. Its compact design is perfect for adding a high-end channel to a larger studio setup, especially when space is limited. Compared to the ART Pro Channel III, which offers more basic features, the SSL SiX provides cleaner, more transparent sound with high headroom and low noise levels. Its single-channel capacity means multiple units are necessary for broader setups, and its lack of digital connectivity might be a drawback for those integrating with DAWs. Still, its high-quality preamp and EQ make it suitable for critical voice-over recordings that demand clarity and precision. This product is best for professionals building a modular, scalable studio chain with a focus on sound purity.”
Pros:- High-quality SuperAnalogue mic preamp with wide gain range
- Versatile EQ with switchable shelving and bell curves
- Compact 500 Series design fits into modular racks
- Single-knob compressor simplifies dynamic control
Cons:- Limited to one channel per module, requiring multiple units
- No digital connectivity options
- Requires compatible 500 Series rack for installation
Best for: Studio engineers and producers designing a modular, high-quality vocal chain in a 500 Series format
Not ideal for: Entry-level users or those needing multi-channel all-in-one solutions
- Number of Channels:1
- Connectivity Technology:500 Series, TRS Line Input
- Power Source:Corded Electric
- Output Connector Type:TRS
- Noise Level:129 dB
- Item Weight:11.2 ounces
Our verdict“Ideal for professional studios seeking a pure, scalable channel strip with high-fidelity sound in a compact form.”
ART VoiceChannel Tube Channel Strip with Digital Outs
The ART VoiceChannel stands out as the most versatile choice for voice-over artists who need both high-quality sound and extensive connectivity. Its Class-A tube preamp delivers warm, transparent tones that elevate voice recordings, while the multiple digital outputs—like ADAT, AES/EBU, S/PDIF, TOSLink, USB—allow seamless integration into various studio setups. The built-in compressor, de-Esser, and parametric EQ make it highly adaptable for refining voice recordings on the fly. Compared with the Neve 1073SPX-D, the VoiceChannel offers broader digital connectivity and integrated dynamics, but this comes with a more complex setup and a higher price point. This pick makes the most sense for professional voice-over engineers or studios needing a flexible, all-in-one solution.
Pros:- High-quality Class-A tube preamp for warm, transparent sound
- Flexible digital connectivity including USB, ADAT, and S/PDIF
- Integrated dynamics processor with adjustable EQ and multiple insert points
- Supports a wide range of sample rates from 44.1 to 192 KHz
Cons:- Complex setup may be overwhelming for beginners
- Bulkier design due to multiple connectivity options
- Price may be high for casual users
Best for: Professional voice-over artists and studios needing extensive digital integration and versatile processing
Not ideal for: Beginners or home users with limited space or budget, due to its complex setup and cost
- Type:Tube Channel Strip
- Preamp Type:Class-A tube preamp
- Digital Outputs:ADAT, AES/EBU, S/PDIF, TOSLink, USB
- Sample Rate Support:44.1 to 192 KHz
- Features:Built-in compressor, expander, de-Esser, gate, parametric EQ
Our verdict“This channel strip is ideal for professionals needing comprehensive digital and analog voice processing capabilities.”
ART Pro Channel III Channel Strip
The ART Pro Channel III offers a straightforward path to studio-quality tube warmth in a compact form, making it appealing for those new to voice-over recording. Its switchable impedances and multiple compression voicings provide flexibility without overwhelming controls, while the 4-band semi-parametric EQ offers essential tone shaping. Compared with the ART VoiceChannel, it’s less feature-rich but simpler to operate, ideal for home studios or entry-level professionals. However, some user reviews highlight dissatisfaction with build quality and long-term reliability, which is a concern for those investing in equipment for frequent use. This model suits beginners or small-scale voice actors seeking quality results without a complex setup.
Pros:- Provides warm, studio-quality tube tones
- Versatile with switchable impedances and multiple compression options
- Includes a 4-band semi-parametric EQ for sound shaping
- Compact design fits small spaces
Cons:- Customer reviews indicate low satisfaction and potential durability issues
- Limited detailed information on long-term reliability
- Setup may be confusing for absolute beginners
Best for: Home studio owners and beginner voice-over artists seeking affordable, quality tube tones
Not ideal for: Experienced engineers or those needing extensive digital connectivity, due to limited features and build concerns
- Item Weight:10.61 pounds
- Product Dimensions:21.9 x 11.4 x 5.4 inches
Our verdict“This channel strip is well-suited for newcomers wanting warm voice tones without complex features or high cost.”
ART Pro Channel II Microphone Preamp/Compressor/EQ
The ART Pro Channel II offers a versatile, professional-grade channel strip that excels in both studio recording and live situations. Its tube-based circuitry provides a warm, smooth sound ideal for voice-over artists aiming for a rich tone. The switchable optical and tube compressors add dynamic control, while the four-band parametric EQ allows precise tone shaping. Compared with the ART VoiceChannel, it’s less feature-rich in digital outputs but more streamlined for real-time adjustments. The complex controls and tube circuitry may require some familiarity, but these features deliver a distinctly professional sound. This makes it perfect for those who want a reliable, warm vocal processor for various environments.
Pros:- Warm, smooth tube sound quality
- Dual compressor options with optical and tube modes
- Four-band parametric EQ for detailed tone control
- High-quality components suitable for professional use
Cons:- Complex controls may require learning and adjustment
- Tube circuitry can be sensitive to temperature and wear
- Limited digital output options compared to multi-connectivity models
Best for: Voice-over professionals needing a robust, versatile channel strip for both recording and live applications
Not ideal for: Beginners or users seeking extensive digital connectivity, due to more limited features
- Connectivity Technology:XLR, 1/4 inch TRS, 1/4 inch TS
- Connector Type:RCA
Our verdict“This channel strip appeals to users who prioritize warm, professional sound with versatile dynamics for studio or stage use.”
Solid State Logic Revival 4000 All-Analogue Mic Channel Strip
The SSL Revival 4000 channel strip offers a highly authentic analog SSL 4000 Series sound, making it a prime choice for those seeking classic SSL character in a compact form. Its all-analog circuitry delivers the punch and clarity associated with legendary SSL consoles, ideal for voice-over artists who want that signature professional tone. The high sonic flexibility and high-performance audio processing are unmatched for capturing nuanced vocal performances. Compared with digital options like the Neve 1073SPX-D, it sacrifices some of the digital connectivity but excels in sonic authenticity. The limited customer reviews and higher price point make it more suitable for high-end studios or collectors. If you crave a classic SSL sound, this is the premium choice.
Pros:- Authentic SSL 4000 Series analog sound
- High sonic flexibility for detailed voice control
- Compact 1U rack-mount design saves space
- High-quality analog components deliver signature tone
Cons:- Very limited customer feedback and reviews
- Potentially high cost for a single channel strip
- Lack of detailed technical specifications makes evaluation difficult
Best for: High-end studios or collectors seeking authentic SSL analog sound for voice recording
Not ideal for: Budget-conscious users or those needing extensive digital features, due to cost and limited digital connectivity
- Item Weight:12.19 pounds
- Product Dimensions:9.1 x 9.1 x 9.1 inches
- Material Type:Plastic
Our verdict“This premium unit best suits studios seeking authentic SSL analog voice processing and willing to invest in top-tier hardware.”
Neve 1073SPX-D Channel Strip USB Audio Interface with ADAT
The Neve 1073SPX-D combines the legendary Neve sound with the convenience of a USB audio interface. Its Class A circuitry guarantees high-quality preamp and EQ tones, perfect for voice-over artists prioritizing clarity and warmth. The support for 24-bit/192kHz audio ensures pristine sound capture, while the ADAT I/O offers expandability for larger setups. Compared to the ART VoiceChannel, it’s less feature-rich in digital connectivity but excels in audio fidelity and simplicity. The limited detailed specs and potential complexity of setup may challenge beginners. This device fits those who need professional-grade audio with straightforward digital connectivity for high-res voice recordings.
Pros:- High-quality Class A circuitry for superior sound
- Supports 24-bit/192kHz high-resolution audio
- Includes ADAT I/O for expansion
- USB connectivity for easy integration
Cons:- Limited detailed specifications available
- Setup may be complex for those unfamiliar with digital audio interfaces
- Less feature-rich than multi-channel or digital-heavy units
Best for: Producers and voice-over artists requiring high-resolution audio and expandability in a simple interface
Not ideal for: Beginners or users without experience in digital audio setup, due to complex configuration requirements
- Type:USB Audio Interface
- Features:Preamp/EQ Channel Strip, Class A Circuitry, 24-bit/192kHz AD/DA, ADAT I/O, Headphone Amp
Our verdict“This interface is best for voice-over professionals needing high-quality, high-resolution sound with expansion options via ADAT.”
How We Picked
I evaluated these channel strips based on their core performance for voice over, including preamp clarity, tonal shaping capabilities, and built-in effects. Usability was a key factor, especially for solo voice actors or small studios, so intuitive controls and setup ease influenced rankings. Build quality and reliability also mattered, ensuring each unit can withstand regular use. Additionally, I considered value for money, balancing price with features and performance. Products were ordered by how well they meet professional voice over needs while offering a reasonable investment for different budgets.Factors to Consider When Choosing Channel Strip For Voice Over
Selecting the right channel strip for voice over involves considering several key factors that influence sound quality, workflow, and long-term value. While features like built-in effects and EQ are attractive, understanding how these tools integrate into your setup is crucial. Beyond technical specs, think about your vocal style, space, and whether you prefer tube warmth or clean digital sound. Making the right choice can significantly impact your recording quality and production efficiency.Preamp Quality and Clarity
The core of any channel strip is its preamp, which converts your microphone’s signal into a usable level. For voice over, clarity and transparency are vital—any coloration or noise can detract from the final product. High-quality preamps ensure your voice sounds natural and detailed, especially at lower gain levels. Cheaper preamps may introduce hiss or distortion, so balancing cost with performance here is essential.
Tonal Shaping and EQ Capabilities
Effective EQ controls allow you to sculpt your voice directly on the channel strip, saving time in post-production. Look for units with versatile, easy-to-use EQ sections that can subtly enhance warmth or reduce harshness. Overly complex EQs can be overwhelming for beginners, so consider your comfort level with sound shaping. Remember, the goal is to improve clarity without making your voice sound unnatural.
Built-in Effects and Processing
Many channel strips include compressors, de-essers, or reverb, which can streamline your workflow by enabling real-time processing. For voice over, compression helps maintain consistent volume, but over-compression can flatten your vocal dynamics. Evaluate whether the onboard effects complement your style or if you prefer to add effects later in post. Simpler units tend to be more reliable and easier to dial in.
Connectivity and Compatibility
Ensure the channel strip integrates with your existing gear, whether that’s a USB interface, analog mixer, or digital audio workstation. Some units offer digital outs or USB connectivity, making them suitable for home studios and remote work. Compatibility issues can cause delays or additional costs, so verify input/output options and supported formats before buying.
Build Quality and Long-Term Reliability
Durability matters when investing in a piece of studio gear. Metal chassis, quality components, and solid construction help ensure your channel strip withstands regular use. Cheaper models might be more prone to failure or noise problems over time. Consider your setup environment and how much handling or transport the unit will endure.
Frequently Asked Questions
Should I prioritize a tube or solid-state channel strip for voice over?
Choosing between tube and solid-state depends on your desired vocal tone. Tube units like the LA-610 Mk II add warmth, richness, and a vintage character that can make voices sound more inviting. Solid-state units tend to be cleaner, more transparent, and often more reliable with less maintenance. If you want a natural, uncolored sound, a solid-state model might be better, but if you’re after character and warmth, a tube-based strip can deliver distinctive tonal qualities.
Is it worth investing in a high-end channel strip for voice over work?
High-end channel strips often provide superior preamp quality, greater durability, and advanced features that can enhance professional recordings. They tend to have more refined sound shaping capabilities and less noise, making them ideal for critical voice over projects. However, they come at a significantly higher cost. If you’re just starting out or have a limited budget, mid-range options can still deliver excellent results, but investing in premium gear pays off if you need the best possible sound and long-term reliability.
Can I use a channel strip with a USB microphone or digital interface?
Most traditional channel strips are designed for use with XLR microphones and analog gear, so compatibility with USB microphones can be limited. However, some models offer USB or digital outputs that can connect directly to your computer, simplifying setup. If you use a USB microphone, a dedicated audio interface or an all-in-one solution may be more straightforward. Consider your current setup and future needs before choosing a model that integrates smoothly into your workflow.
What features should I look for if I want to record voice over podcasts or narration?
For voice over work like podcasts or narration, focus on clarity, noise floor, and ease of use. Look for a channel strip with a clean preamp, simple controls, and effective compression to manage dynamics. Built-in de-essers or high-pass filters can help reduce sibilance and background noise. Portability and durability might also matter if you record on the go. Avoid overly complex units that could slow down your workflow or introduce unnecessary noise.
Is digital integration important when choosing a channel strip for voice over?
Digital integration can greatly enhance your workflow, especially if you work in a digital environment. Features like USB or digital outs allow direct connection to your computer or DAW, reducing the need for additional interfaces. Some models also include onboard DSP for real-time effects without taxing your computer’s CPU. If you prioritize flexibility, compatibility, and ease of recording, opting for a model with digital features can make a noticeable difference.
Conclusion
For those just starting in voice over, the dbx 286s offers a straightforward, reliable solution that balances quality and ease of use. Professionals seeking the best tonal character will find the Universal Audio LA-610 Mk II to be a perfect fit, thanks to its warm tube sound. Budget-conscious users can consider the PreSonus StudioChannel for solid performance at a lower price. Serious studio owners or those demanding premium build and features will appreciate the Solid State Logic SiX or the Neve 1073SPX-D. Carefully consider your needs and setup to pick the best channel strip for your voice over projects in 2026.
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